Country | Chinese Taipei |
---|---|
Year | 2020 |
Award | WINNER |
Affiliation | BEATRIX DESIGN |
Designer | 卓思齊 Angelo Cho |
Description(English) | We design three points : 1. tectonics of the interior:It is based on the preference for geometry, a curved wall penetrate and defines the field. 2. Uncertain Orientation:The informal public space is defined by a singular curve that divides different areas while guiding vision and circulation at the same time. 3. Lightness:The structure of solid walls and void space defines the spatial enclosure as well as the simple design of the ceiling and floor. The texture of the stone pavement echoes the image of the cloud so that the concrete wall elevates without being too heavy. |
Description(Native) | 設計手法 1.有建築感的室內: 基於對幾何形體的愛好,做了一道弧牆如穿場般劃開了場域,中間大開口接連掛電視的實牆,虛與實一同界定空間性格。裸露的圓柱與梁,不加以修飾與包覆,柱與牆的接面,以露出的鋼構作為緩衝,使其結構感更強烈。圓柱的定位則剛好在橫梁下與三個空間交界的位置,如定錨般,成了象徵家庭的核心意象。水泥弧牆為厚25公分的實牆,內以磚砌成,再架板模灌水泥,除卻一般室內在木作牆上使用清水模塗料的裝飾性及不實感,讓弧牆有鏗鏘堅毅的實心感。牆面與天花板經精確計算後均等分割,並按比例挖出圓洞,更留下2公分的施工縫以擬真。 2. 不界定方向性:公共空間去方正化,讓客餐廳用一道簡潔的弧線帶出以區分不同場域,亦有引導視覺動線的作用,一進門即可看到端景那片以棉花做成的雲朵牆。在弧牆與圓柱如定錨式地圍塑起客廳空間之下,不界定方向性,設計不對稱沙發區與電視牆,讓幾何線條在室內更奔放不羈。 3. 挑輕:空間靠結構、量體、實虛牆圍塑出來,天花與地板無過度設計,以低彩度平鋪而過,地板的石材紋路呼應雲朵意象,亦讓混泥土牆帶著漂浮感,不至顯得太厚重。主臥室的天花作微傾斜,讓背牆與天花呈現幾何活潑變化。黑色玻璃隔門以不置頂的輕巧感收束,若隱若現的反射質感視覺可穿透開放更衣室。以成垛的棉花製作雲朵牆,打光之後,雲朵的柔軟與漂浮感盡現。轉化雲朵的輕盈感的還有玄關的雲朵造型掛燈,以及整道玻璃的玄關自動門,大面玻璃的纖細質材弱化了混凝土的厚重感,也讓從外入內的停駐之處,徐徐轉緩,層次分然。 |
Website | www.beatrixdesign.com |
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