Industrial

X in the world

Extra Form

Country	China
Year	2022
Award	WINNER
Affiliation	Guangzhou Academy of Fine Arts
Designer	Mei Pan
Description(English)	I think the photographer Nick Veasey insects under the "X" in the light of photos have seemingly Chinese ink and wash shades and strokes the free flow of color piece changes, there are animal bones structure of organic combination, so I combined the intangible cultural heritage of China palace lantern craft, "red sandalwood spend pear as bone, spun silk yarn coloured glaze is clothed", combining with wire system skeleton and silk gauze, The layers of exterminated insect bones were constructed on the human body. It is beautiful and fragile, light and tough. It shows the biological world in the "X" light of my eyes.
Description(Native)	我觉得摄影师Nick Veasey的“X”光下的昆虫照片有看似中国水墨画的浓淡色块变化和笔触的自由流动，也有动物骨骼结构的有机组合，于是我结合了中国的非物质文化遗产的宫灯工艺，“以紫檀花梨为骨，绢纱琉璃为衣”，经过尝试多种不同的材料和组合方式，最终选择以铁丝制的骨架和真丝绡这两种材料相结合，既轻盈又灵活，在人体上构建出了层层外化的昆虫骨骼。面料的透叠既像昆虫的羽翼又具有中国水墨画的虚实浓淡变化，骨架的构建既像昆虫的结构又具有建筑般的韵律。兼具了感性和理性的美感。 成长并不意味着强大，而是逐渐接纳了自我的脆弱。于我而言，脆弱并不是缺点，它更像是个体的防御机制。当我们遇到困难又或是精神面临挑战的时候，脆弱就宛如身体与生俱来的“安全气囊”，将其转换为对自我的保护。我认为这样的保护犹如昆虫的外骨骼附着在我们的身体之上，看似禁锢，实则为我们化解了许多困境，带来暂时的安全感。我把这层“外骨骼“制作成服装，它美丽又易碎、轻薄且坚韧，展现了我们生活中的“X”光下的生物世界。
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