Most of the previous space designs were static, conceived and planned for "invariability". The designer tries to break the restricted space form, and create a human-dependent circulation in the limited space of the Times Pavilion. Through the linkage of the track, machinery and program, the designer switches the moving trail of the wall back and forth to activate the whole space. In this brand new mode, viewers feel they have entered a different space, where they have a real sense of life.