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Country Chinese Taipei
Year 2022
Award GOLD WINNER
Affiliation StudioX4
Designer Li Yu Cheng, Yu Chen Chen, Chieh Hsin Yang
Description(English) Influenced by the Buddhist notion, “Form does not differ from emptiness; therefore, emptiness does not differ from form, “situated in a hectic city, this project is a meditation hideaway for users to undergo the practice of mindfulness. Imagining the consciousness is distorted and capricious, the interior is shaped with continuous Bezier surfaces from wall to ceiling, giving meditators perceive the sense of self-talking. A LED oculus recessed in the core of non-linear space, the site is visually intuitive, inspiring the meditator’s introspection to probe into the intricacy of the relationship between physical and mental situations.
Description(Native) 本案為一冥想場域。依原型心理學理論,自我實現源于融合有意識的自我與無意識中的陰影,而冥想是自我向內探索其陰影的過程,渴望瞭解內在意識的更深處,撫平紛擾思緒。 拉岡在鏡像場景理論中所及,人類幼時因缺乏自主性且行動力有限,必經歷一場認知及想像所組成的視覺突變,透過探討人格物化形成自我的過程,理解自我皆受外在與內在、現實與理想…等必然的雙向性所影響,進而延伸本案設計概念:空間經被反射後才顯示完整個體。 天地壁面以深灰調圍塑安定的場域氛圍,造型回歸至生命初始的有機載體,亦如洞穴般靜謐無紛擾,同時助使聲波均勻傳播不散射。半球體的場域藉由鏡面反射後空闊圓滿,自由曲線猶如非線性、甚是扭曲的意念,隨觀看鏡面角度產生畫面多樣性。 作為出入口的拱門與造型化為一體,緩衝由外入室的情緒,再以光帶界定內外領域,刻劃出流動感及空間的寬闊性。中心的聚光如天光啟示,醒悟乍現,猶如繁雜意念中注入一道昇華的亮光,窗外的行道樹成為框景中的襯托,讓開口外的世界,與開口內的世界相互交織。
Website www.StudioX4.com
Positive Comments
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